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THE BROWNIES' BOOK
March, 1921
One Dollar and a Half a Year
Fifteen Cents a Copy
brownies.192103.002.jpg
A CHAMPIONSHIP CONTEST
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DU BOIS and DILL, Publishers
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New York, N.Y.
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THE BROWNIES' BOOK
Published Monthly and Copyrighted by DuBois and Dill, Publishers,
at 2 West 13th Street, New York, N. Y. Conducted by W. E. Burghardt DuBois;
Jessie Redmon Fauset, Literary Editor; Augustus Granville Dill, Business
Manager
VOL. 2. No.3. March,1921 WHOLE No. 15
CONTENTS
|
PAGE |
COVER DRAWING. "In Spite of Wind and Weather." Drawing by Marcellus Hawkins.
|
FRONTSPIECE—Seven Prize Winners |
66 |
THE GYPSY'S FINGER-RING. A Play. Willie
Richardson.Illustrated by Hilda Rue
Wilkinson
|
67 |
ABOUT A CAT. A Story. Annette Christine
BrowneIllustrated by Laura Wheeler
|
71 |
SPRING STYLES. A Poem. Annette Christine Brown
|
74 |
ST. PATRICKS DAY. "R". Decoration byClara
Hicks
|
75 |
PLAYTIME. Five Games. Arranged by Pupils of Paul and Quinn College |
77 |
AS THE CROW FLIES |
82 |
THE STORY OF HARRIET TUBMAN. A True Story. Augusta
E. Bird Illustrated |
84 |
OUR LITTLE FRIENDS. Four Pictures. |
87 |
MPHONTHOLO NE SHULO. An African StoryC. Kamba
Simango. Illustrated by Hilda Rue
Wilkinson
|
91 |
SPRING MELODIES. A Poem. Eulalie Spence.
|
91 |
THE JUDGE |
92 |
"THAT'S MR. LINCOLN, SONNY." A Picture. |
93 |
THE GIRL RESERVES OLIVE C. JONES.
|
94 |
SIGNS OF SPRING. A Poem. LANGSTON
HUGHES
|
94 |
TWO HEALTHY CHILDREN OF WASHINGTON D.C. A Picture. |
95 |
THE JURY. |
96 |
FIFTEEN CENTS A COPY: ONE DOLLAR AND A HALF A YEAR
FOREIGN
SUBSCRIPTIONS TWENTY-FIVE CENTS EXTRA
- RENEWALS: The date of expiration of each subscription is printed on the
wrapper. When the subscription is due, a yellow renewal blank is enclosed.
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must be given. Two weeks' notice in required.
- MANUSCRIPTS and drawing relating to colored children are desired. They
must be accompanied by return postage. If found unavailable they will be
returned.
- Entered as second class matter January 20, 1920, at the Post Office at
New York, N.Y., under the Act of March 3, 1879.
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[illustration - Seven Prize Winners of New York City
—Underwood & Underwood ]
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The Gypsy's Finger-Ring
WILLIS RICHARDSON.
A
T the left we see a clump of trees, at the rear a
green field where violets and buttercups are growing, and at the
right a porch where the mother and her son, Leon, are sitting. Leon,
a boy of ten, is sitting on a low stool at his mother's feet reading
a child's story book. His mother, who is sitting in the chair behind
him, is leaning forward reading over his shoulder from the same
book. After they have sat in this position for a few moments the
silence is broken by the sound of girls' voices in the house. They
are happy, laughing voices, and presently the owners of them appear
in the doorway. They are Rose and Eleanor, girls of eleven and
twelve. They stop chattering and look at their mother and brother
intently for a few moments before Rose speaks.
ROSE—
Mother, can we go out to gather violets?
THE MOTHER—
(Looking up)May we-
ROSE—
May we go out to gather violets?
THE MOTHER—
You and Eleanor?
LEON
(Looking up from his book)—I don't want to
gather violets. That's girl's business.
(Rose and Eleanor each go over and take Leon by a
hand.)
ROSE—
Come, Leon, put that old story book down.
ELEANOR—
You wouldn't read your grammar half so much.
LEON
(Looking up at his mother
appealingly)—Mother—
(But the mother is amused by the scene and decides not
to interfere.)
ROSE
(Pulling him up)—Come on, it's Spring!
We've been, cramped in the house all winter.
ELEANOR—
Stop frowning, Leon, smile! Look at the sky and sun, how bright they are.
Look at the trees and the fields.
ROSE—
Everything is happy and bright;come on, Leon.
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(He reluctantly allows himself to be led from the porch.)
THE MOTHER
(Picking up Leon's book)— How far are you
going, children?
ROSE
(Pointing towards the field)—Just across
the field to gather violets and buttercups and whatever else we
find.
THE MOTHER—
Don't get your dresses dirty ; Leon, don't walk in wet places or crawl
upon your knees.
ELEANOR—
We won't let him, Mother.
THE MOTHER—
And don't stay away too long.
ROSE—
We'll be back in half an hour.
(They begin to gather flowers a few yards away and
move farther and farther away as they gather them. And now we must
follow them across the field as we follow the characters of a
photo-play. Leon has begun to take interest in the
expedition.)
ROSE—
Leon, don't you feel better in the open fields than you did sitting
cramped up on that old porch?
LEON—
Yes, I like it now. The air is so fine I feel like running and
jumping.
ROSE—
Don't run and jump, we haven't time for that, and besides you'll mash the
flowers.
ELEANOR
(Busily adding to her store)— Do fairies
drink the dew from the buttercups?
ROSE—
I've heard they do.
LEON
(Pointing across the field)—Who is that?
LEON—
See, there among the trees, the woman in the dress
of many colors.
ROSE—
Oh, a gypsy, a fortune teller, I suppose.
ELEANOR—
A fortune teller?
ROSE—
Yes,a woman who tells fortunes and reads minds.
LEON—
(Doubtfully)—Reads minds how?
ROSE—
She can look in your hand and tell what's in your heart.
LEON—
She cannot look in my hand and tell what's in my heart.
ELEANOR—
Let's go and speak to her.
ROSE—
Yes, and let her read our hands.
LEON—
She shall not read my hand.
ELEANOR—
Let's speak to her anyway.
(They move forward and we see at last where they
are going. In a clear space among the trees sits a gypsy knitting a
shawl. She is sitting on a camp stool in front of the van and around
on the grass several fine rugs are lying. The children move to the
edge of the space and stop.)
THE GYPSY
(Looking up from her work)— Good morning,
little people.
THE CHILDREN
(Together)—Good morning.
THE GYPSY—
Do you want anything?
LEON—
Rose says you can tell fortunes and read minds.
ELEANOR—
And look in one's hand and tell what's in one's heart?
THE GYPSY—
Yes, come, let me read your hands.
LEON
(Closing his hand and putting it behind
him)—You cannot read my hand.
THE GYPSY—
Come over anyway and talk with me.
(The three go over to her.)
THE GYPSY—
Three little colored children. I love children.
ROSE
(Noticing her dark complexion)— Aren't you
colored, too?
THE GYPSY—
I am in a way but not the same as you. I was born in Africa, but I'm not
a Negro. I was born in Egypt.
ELEANOR
(Looking at her ring)—Oh, what a pretty
finger-ring.
THE GYPSY—
Do you like it?
LEON—
Where did you buy so strange a ring?
THE GYPSY—
I did not buy it.
LEON—
You found it, then?
THE GYPSY—
When I was a little girl like your sisters here I found a piece of pearl
on the banks of the Nile in Egypt, and my father, a magician, carved
this ring and shaped it to my finger. It has a wonderful power.
LEON—
What kind of power?
THE GYPSY—
Whoever goes to sleep wearing this ring may dream. or see whatever he
wishes of the past or present.
LEON—
I'd love to see the future.
THE GYPSY—
I'll read your hand and tell the future to you.
LEON—
You shall not read my hand, I want to dream of the future by the
ring.
ELEANOR—
What can I see of the past?
THE GYPSY—
Whatever you wish to see. Put on the ring and sleep but a few moments and
you can see as many years of the past as you wish to see.
ROSE—
See a year pass in a moment?
THE GYPSY—
Yes, dreams are strange
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[illustration - What a Pretty Finger-ring!]
brownies.192103.008.jpg
things; one can dream of the passing by of
many years in a moment's time.
ELEANOR—
I want to see the slave days before the war, how the slaves lived and how
they toiled and suffered.
THE GYPSY—
Why choose such a dreary time, such a cruel place?
ELEANOR—
A look back now and then to where we came from will urge us on.
THE GYPSY
(Taking off the ring)—Hold out your finger
till I put it on.(Eleanor holds out her finger and
the ring is put on.) Now lie upon the grass and dream for a
moment.(She lies upon the grass and sleeps while
the gypsy and the other children watch her. Presently she awakes
weeping and Rose goes to her.)
ROSE
(Putting her arm around Eleanor)— What's
the matter, Eleanor?
ELEANOR
(Wiping away her tears and handing the Gypsy the
ring)—I saw such awful things.
ELEANOR—
I saw women and children beaten and driven about ; I saw half-naked
children walking barefoot on the cold, hard ground, carrying burdens
heavy enough for men: I saw wives sold from their husbands and mothers
sold from their children, men beaten upon their backs with knotted
whips—things far too cruel to tell.
ROSE—
(Stopping her)—Don't tell them then. You'll
frighten me and I will not want to dream.
THE GYPSY
(To Eleanor)—Why did you want to see such
cruel things?
ELEANOR—
I wanted to see how much we had attained. I want to know how much more it
will take of time and strife and pain to make us great.
THE GYPSY—
You want to be great?
ELEANOR—
To be great as a people, so that the people of a thousand years from now
will read their histories and know that we were as great as other
people.
THE GYPSY
(To Rose)—What do you wish to dream of?
ROSE—
I want to dream of the Jews and their sufferings now.
THE GYPSY—
Of the Jews in Russia?
ROSE—
The Jews do not suffer in Russia any more, the Czar has gone.
THE GYPSY—
Of the Jews in Germany?
LEON—
The Kaiser has gone and all the Germans are freer now.
ROSE—
I want to see the Jews in the east of London, to see how they live.
THE GYPSY—
What do you know of the Jews in the east of London?
ROSE—
They suffer, too. We heard our mother and father talking of them.
THE GYPSY—
But England is a prosperous country, no one suffers there.
ELEANOR—
So is America a prosperous country, but we Negroes suffer here.
LEON—
All toiling people suffer in all countries.
THE GYPSY—
You are wise children. You have heard and remembered much.(To Rose.) Put on the ring and dream.
(She slips the ring on Rose's finger and Rose lies
on the grass and sleeps. They watch her silently until she
wakes.)
THE GYPSY
(As Rose wakes up)—What did you see?
ROSE—
I saw things nearly as bad as Eleanor saw. The Jews are not bought and
sold, they are not beaten, nor are they forced to bear too heavy loads.
The thrifty Jews, the buyers and sellers of things, the makers of money,
live harsh and bitter lives. They live on crusts in dark, cold, filthy
places and only get a pittance for their toil. The rest, the people of
power, steal from them. I saw a dozen people sleeping in one room, I saw
mothers, fathers and children working side by side through long dull
hours.
LEON
(To the Gypsy)—Let me wear your ring and
dream a dream.
THE GYPSY—
You cannot dream of the future by this ring.
LEON—
Have any tried and failed?
THE GYPSY—
No, none have tried. Let me read your hand and I will tell you the
future.
LEON—
I do not want my hand read.
THE GYPSY—
Then you cannot know the future.
LEON—
Let me try, and if I fail to see the future by the ring, I'll let you
read my hand.
THE GYPSY
(Handing him the ring)—I know you'll fail,
but put it on your finger, you may try.
(Leon puts the ring on his finger and lies down and
sleeps. The others watch him until he wakes. He wakes
smiling.)
ROSE—
Did you see anything of the future?
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THE GYPSY
(Surprised)—You saw the future when you
slept there?
LEON—
Yes.I saw wonderful things.
THE GYPSY—
Give me back the ring.
LEON
(Giving her the ring)—You said I could not
see the future by the ring.
THE GYPSY—
It's strange, it's more than I can understand.
ELEANOR—
What did you see, Leon?
LEON—
I saw men and women and children happy at last. None of them were so poor
that they were suffering, none were so rich that they were overbearing.
The whole five races were in harmony, all working side by side for the
good of all. (He gives the Gypsy his flowers.)
You may have my flowers for letting me wear your ring. I must run and
tell my mother what I saw.(He goes.)
THE GYPSY
(To the girls)—Your brother there is bold
and resolute; he should make a good strong man.
ELEANOR—
We shall be proud of him.
ROSE—
You may have my flowers for letting me wear your ring.
(Both give their flowers to the
Gypsy.)
ROSE—
Now we must catch Leon ; good-bye.
(They run and catch Leon and we follow them again
across the field until they come to the porch where their mother is
sitting as they left her, reading the book which Leon
dropped.)
THE THREE—
Oh, mother, we saw wonderful, strange things!
THE MOTHER—
Where are the flowers?
ROSE—
We gave them to a Gypsy for letting us wear her ring.
THE MOTHER—
What did you see?
ELEANOR—
I saw the past; the cruelty and hardships that were heaped upon the
slaves.
ROSE—
I saw how the Jews of East London live in the present.
LEON—
I saw the future full of happiness and hope.
THE MOTHER—
How did you see these things?
ROSE—
A Gypsy let us wear her ring and dream them.
THE MOTHER—
You saw the condition of men divided into three periods,—chattel slavery,
wage slavery and freedom.
LEON—
I hope we'll live to see what I have seen.
THE MOTHER—
You are all young and you may live to see it. The future is your great
promise, your great hope, it's all you have to live for. Work to make it
happy, wait for it, and be patient while you wait.
THE END.
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ABOUT A CAT
ANNETTE C. BROWN.
OlD EB sat before the fire with head to one side,
eyes half closed and an expression on his face which might have been
characterized as contented, reminiscent, or just plain cat-like.
"Isn't he the laziest looking cat!" said Hattie. "Just sits and nods and
blinks."
"I don't believe he sleeps so much," said Tony. "I believe he's thinking when
you see him, sitting there like that."
"What do you suppose he'd be thinking about?"
"Oh, I don't know ; but I bet if he could talk he'd surprise us with a lot of
things he knew."
Tony was right about it. Old Eb was thinking. He thought more than anybody
would have given him credit for. Just now he was thinking over the struggles
of his kittenhood days before he had fallen heir to the comfortable home
which he now enjoyed and whose other occupants he regarded with such cool
indifference.
In those days often the possibilities of a breakfast depended on his deftness
in getting in and out of a garbage can before the back door opened. The joy
of taking a peaceful nap, stretched out at full length in the sun, was
something not to be considered. When there was a chance for
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a day nap, it would be taken with one eye open,
on guard, and the body in position for a quick get-away in case of
approaching danger.
He noticed that all hobo cats were not treated with indignities as was
himself. Some were given fairly decent back door receptions and some, he
remembered, the cooks and housewives had tried to coax into remaining. But
at sight of him there was sure to come the cry, "An old black cat!" followed
by a broom or some convenient article which he learned to dodge. If they
just said "cat" he might stop to consider a parley but if they threw in that
vehement "black" he knew it was time for him to make tracks.
Why they were so down on his color he couldn't tell. Even when he was too
tired to wash and comb himself (and a hobo cat is often neglectful of his
toilet), his fur was slicker and glossier than that of the yellow and white
cats of the alley.
One day when he was sitting on the sidewalk thinking over these things he
heard a voice say, "Oh, look, Tony ! What a nice, sleek cat! Isn't he
beautiful and black!"
Looking up he saw a small boy and girl approaching him kindly. For the first
time since he could remember, it seemed that somebody wanted him.
"Let's try to make him follow us home." They began to coax him and Eb, who
had a reputation among the cats for being willing to try anything once,
followed. Thus he gave up hoboism and became a family cat. No longer was his
color a reproach to him, for Hattie and Tony knew that a black cat could be
just as nice and as nice looking as any other cat. They themselves were the
nicest little brown boy and girl one could wish to see. But we musn't get
off on the subject of Hattie and Tony or the story will be about them
instead of Eb.
It was then that he was given the name of Eb, or rather Ebony. He would
probably have preferred being named Ebenezer, he thought so highly of
himself. But they named him Ebony and called him Eb for short.
His hobo experiences had given him a great deal of self-reliance and
independence. He was none of the mew-mew, pet kitty, sort of a cat. He was
extremely dignified and thoughtful and took to his new surroundings as
naturally as if he had been born in them.
However, there was one fear that he could not easily overcome. Whenever
Hattie's and Tony's tidy mother came into the kitchen with a broom in her
hand he would jump up and start for the door. It was instinctive in him to
jump at sight of a broom. He hadn't been "lammed" with them time after time
for nothing. It was some time before he could be made to realize that a
broom had a use other than to be flung at a cat.
As time went on he continued to grow more dignified and thoughtful. He would
sit blinking while listening to the children's chatter, afterwards thinking
over what they said. The more he listened to their talk the more impressed
he became with himself. He noticed that they were always saying, "I wonder
this" and "Do you reckon so and so?" "Silly things," he thought to himself,
"if they'd talk less and think more, as I do, they would know more."
He sniffed disdainfully when he heard Hattie say one day, "I wonder what
makes his whiskers stand out so straight and stiff. I believe he'd look
better if they were shorter."
"Oh, no," said Tony. "They're his feelers. They're just as long as his body
is wide and when he wants to get through an opening he sees first if his
whiskers will go through, 'cause he knows if they will, then the opening is
big enough for his body."
Coming in from school one day they both cried, "Oh, it's going to be cold !
The cat's sitting with his back to the fire."
"Well, how simple!" thought Ebony. "Can't they feel the weather changing as
well as I? I wonder how they found out about the weather before I stayed
here."
One day he heard Hattie say, "Do you reckon it's true that a cat has nine
lives, Tony?"
"Yes, I guess so," said Tony. "Joe Barker says it's true. Says they drowned
an old cat of theirs and in a short time she was walking back to the house
as though nothing had happened."
"That sure is funny, having nine times to die," laughed Hattie.
Ebony lent all ears to this conversation and gave considerable thought to it
afterwards. He'd never been in the habit of giving much credit to the
children's talk, but if this was true about a cat having nine lives it was
something to think about. In thinking over the lives of different cats he
had known, he recalled several who after every indication of having met with
certain death would suddenly reappear as natural as ever in their familiar
haunts.
He remembered seeing yellow Tom, who was a bold chicken thief, fall off a
back fence into the alley at the bang of a rifle from a backyard.
brownies.192103.011.jpg
[illustration - "silly things" he thought to himself.] He himself had been too frightened to remain in the neighborhood
of the tragedy and had fled to another alley. Passing by the same place a
month later what should he see but yellow Tom calmly eating a chicken?
And, then, thinking over his own life, there certainly were times when he had
been knocked out for dead or scratched to death. Yet he always came back
again. There was the night when he and a gray cat were on the Smith's fence
arguing as to which one had the better right to hunt mice in the Smith
garage when out of the window came a solid leather boot which struck him
with full force. He never could remember the period immediately following
that. He only remembered that the next day found him going on all fours
again.
He could remember incidents in which he had met death in various other ways.
After summing it up he figured that he must have three or four lives left.
Why stay on and live them out in this quiet place? thought he. He had
thought and learned so much, why not go abroad and give the world the
benefit of his learning, returning in time to live out his last life here
with these simple children? You see, the hobo streak was still there.
A day later Hattie and Tony were in distress over the disappearance of
Ebony.
"What do you suppose could have happened to him?" asked Hattie. "He seemed
too contented to run away. Do you reckon something killed him?"
"Oh, I don't know," answered Tony. "You can't tell about cats. They're funny
creatures. Maybe he just wanted to rove a while. He might come back."
Ebony was indeed roving and so far had not succeeded in finding any creature
with which he might share his store of knowledge. He had
brownies.192103.012.jpg
gone quite a distance without coming across a
single cat. Chancing to cross a street he saw a dog curled up beside the
road apparently asleep. Didn't he know better than to lie there to sleep?
thought Ebony. He must step up and admonish him.
Now dogs are the natural enemies of cats, as Ebony had long ago learned, but
he felt that his wisdom and dignity would now command even canine respect.
But it proved that the dog cared nothing whatever for the physiognomy of a
learned cat, for at sight of Ebony he rushed at him and Eb, forgetting his
wisdom and dignity, ran as fast as his venerable legs would carry him and
skidded up the nearest telephone post just in time. He was so nearly
overcome with fright that he could barely hold his position. Having lived a
quiet life so long, he was unprepared for this.
Ebony did not venture down again until nightfall. He made his way to a stable
where he expected to find board and lodging for the night. He walked around
for a while, sniffing in the corners, never noticing that twice his tail
flapped the legs of one of the occupants. The long-eared beast of burden
looked around to see who the intruder might be, and having seen, he
maliciously decided to oust him. The next time the wise cat came near the
mule's heels he was given a kick that sent him out the stable door, where he
spent the night.
The next morning found old Eb a very stiff, sore and unhappy cat. He wondered
if he could find a morsel on the ground for breakfast. He was so hungry that
he decided to take the risk of going up to the house, something he hadn't
done since his hobo days ; but maybe the mistress would take pity on his
condition and throw him a bite.
Walking across the yard, he began to notice that some small chickens were
showing alarm at his approach. He couldn't see why they wanted to act so
crazy. He wasn't going to bother them. But they flew to their mother, giving
the distress sign and she, a big hen of the game variety, flew upon poor Eb
who was not expecting a fight and, considering his helplessness, the odds
were considerably with Biddy.
Emerging from the attack more dead than alive he made a straight line for the
home which he had been so willing to leave. Oh, for that warm hearth-stone
which now seemed so far away! He would never leave it again and if the rest
of the world wanted the benefit of his learning, it would have to come to
him. He figured that he had about one or two lives left and he intended to
live them out in the comfort of the home he was returning to.
That evening Hattie and Tony were overjoyed by the sudden appearance of
Ebony.
"He looks so tired and worn out, I wonder where he has been," said
Hattie.
"I haven't any idea but from the way he came and dropped down on that hearth,
I believe he's glad to get back," replied Tony.
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Spring Styles
ANNETTE CHRISTINE BROWNE.
THERE'S a Spring opening going on near me,
With something new showing every day ;
Such a riot of color and beauty arrayed,
Quite up to the minute, they say.
My neighbors are wearing Spring garments,
As lovely as ever were seen;
Some of velvety pink, dainty purples and blues,
And everywhere charming bright green.
I am filled with delight at their beauty,
From the moment I see them appear.
That seems very odd for the styles never change ;
They look just the same every year.
Where is this Spring opening you ask me!
Just look all around you and see
Opening apple-buds, lilies, shy violets, And new leaves decking out
everytree.
brownies.192103.013.jpg
ST. PATRICK'S DAY
MOST of us know that the 17th of March is
connected with St. Patrick and the shamrock, but how or why it is not so
easy to tell.
St. Patrick was born many, many years ago, probably in 372. If the date of
his birth is uncertain the place of it is still more so, for he has been
variously claimed by Scotland, England, France and Wales. Of late he has
been assigned to Scotland and people who have made a study of the few facts
relating to his life say that he was born in Scotland at Kilpatrick, between
Dumbarton and Glasgow.
Of course he was not a celebrity when he was born nor even when a boy. On the
contrary, he was carried off into slavery by robbers or pirates when only
sixteen and sold as a swineherd in the mountains of Ireland. Fortunately he
was rescued by some kindly sailors who bore him off in their ship on the
first of those long journeys of which he seems to have taken so many.
He was evidently a great traveller and it is commonly believed that the
course of his wanderings may easily be determined since he invariably left
behind him some spot or building which bears his name. Thus his own
birthplace, Kilpatrick (the cell of Patrick) is supposed to have been named
for him. Then he lived for a time in Dalpatrick (the district of Patrick)
and later visited Crag-phadrig (the rock of Patrick) near Inverness. He
founded two churches, Kirkpatrick (the church of Patrick) in Kircudbright
and Dumfries. All this was in Scotland. In England he preached in Patterdale
(Patrick's dale) and in Wales he founded Llan-badrig (the church of
Patrick). Last of all, when he came to Ireland he landed at Innis-patrick
which means Patrick's island.
In the course of his wanderings he came to Italy where he was appointed by
Pope Celestine to convert the Irish to Christianity. And this marks the
beginning of Patrick's career as the patron saint of Ireland.
All sorts of legends have sprung up about the saint and his wonderful powers.
Of course we know that practically none of these stories can be true and
that what really happened was that Patrick, evidently being a man of strong
will and determination, refused to let anything daunt him and so overcame
obstacles which seemed insuperable. In this way the legends, which even
attribute to him the power of magic, have come into being.
No matter what their origin the stories are interesting and often amusing.
Patrick seems to have possessed these strange powers even as a little child.
For "they say" that once as a youngster he brought home some snow and ice
and his nurse told him that he would have done much better to bring some
wood for a fire. Whereupon the little boy heaped the ice and snow together,
blew on them and there was a bonfire! His nurse's husband died and she was
stricken with grief. So Patrick prayed over the dead man, signed him with
the cross and restored him to life. It was a good thing for the nurse that
she had such a charge as Patrick, for she seems to have had an unusual run
of bad luck. One of her cows was possessed of an evil spirit which also had
wounded five other cows.
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Patrick healed the cattle and drove out the evil
spirit.
At another time the nurse fell ill and greatly desired some honey. As there
was none handy, Patrick simply took some water and changed it into honey.
There were some filthy stables to be cleaned out and, of course, nobody
wanted to do it. So Patrick got on his knees and prayed, and the stables
were cleaned without hands.
During the brief time he was enslaved, he was sold by one master to another
for a kettle. But the man who received the kettle certainly got the worst of
that bargain, for no matter how hot the fire, nothing placed in that kettle
would ever become warm. Indeed the hotter the blaze the colder became the
kettle. So the seller returned the kettle and took Patrick back. Thereupon
the kettle behaved as all kettles should.
Patrick's strange powers stood him in good stead when he undertook to convert
the Irish to Christianity. The former priests of Ireland had been the Druids
and naturally enough they were greatly opposed to the introduction of a new
religion which would take away their power. They were great magicians, too,
but you may be sure they were no match for Patrick. He tried at first to
persuade them to his way of thinking, but when he found this would not work
he was obliged to resort to his magic. He cursed their fertile flelds and
they became dreary bogs; he cursed their rivers and there were no more fish ;
he cursed their kettles and they would no longer boil. Finally—a most
unchristian thing to do —he cursed the Druids themselves and the earth
opened and swallowed them up!
Once on a trip to Britain he spied a leper whom the sailors would not carry
in their ship. Touched by the poor creature's distress, Patrick said he,
too, should go on the journey if that was his desire. So the saint took a
stone altar which had been consecrated by the pope, threw it into the sea
and bade the leper sit on it. When the ship set sail, the stone did too.
Moreover it kept company with the ship all the voyage and got into port with
her at the same time. Of course, this was very wonderful of Patrick, but I
think that that was a brave leper. At another time a thief stole a goat from
Patrick and killed and ate it. The saint accused the thief who stoutly
denied knowing anything about the missing animal. Imagine his consternation
then when the goat bleated from his stomach. To punish him, all his
descendants were there after marked with the beard of a goat.
No doubt St. Patrick was a great and good man. Certainly people thought so,
for after he died at a ripe old age on March 17 the anniversary of his
death became a high festival the Catholic church. In Ireland the flags fly
on the steeples, bells peal until midnight, the rich bestow gifts on the
poor and the poor bless the rich, each other and St. Patrick. Boys take part
in wrestling games, lads and lassies dance, while women tuck their babies in
the hoods of their coats and run about to each other's house to drink a
glass of poteen.
And everybody wears the shamrock. The story goes that when St. Patrick landed
in Ireland in 433 on his first attempt to convert the Irish, the people
tried to stone him. He begged to be heard and tried to explain to them about
the Trinity of the Father, the Son and the Holy Ghost. But the people could
not understand how this could be. St. Patrick looked about him and picked a
shamrock. "See," he cried, "is it not as possible for Father, Son and Holy
Ghost to be one as for these leaves to grow upon a single stalk?"
This convinced the Irish. The shamrock had long since been used by the Druids
to heal diseases, now here it was introducing a new and beneficent cause.
Small wonder then that they adopted it for their national emblem. Nowadays
if you should walk through an Irish village on the 17th of March you would
find people wearing the little green trefoil and standing in groups
singing:
Saint Patrick's the holy and tutelar man,
His beard down his bosom like Aaron's ran :
Some from Scotland, from Wales, will declare that he came,
But I care not from whence now he's risen to fame:—
The pride of the world and his enemies scorning,
I will drink to St. Patrick, today in the morning!
He's a desperate, big, little Erin go bragh;
He will pardon our follies and promise us joy,
By the mass, by the Pope, by St. Patrick, so long
As I live, I will give him a beautiful song!
No saint is so good, Ireland's country adorning;
Then hail to St. Patrick, today in the morning!
"R."
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PLAYTIME
FIVE GAMES
Arranged by
PUPILS OF PAUL QUINN COLLEGE
ALLIGATOR
HERBERT MANEY
I SHALL say first that the games we play most are played on the ground in
the open, but this game I am going to tell you about is played in the
water.
The first step in playing alligator is, select someone who is a
good swimmer. We shall have ten or more sitting on the bank waiting for
the alligator (or leader) to get ready. The alligator will start
counting one, two, three, and so on to ten. When he gets to ten, all on
the bank will jump into the pool or river and the alligator will go
behind them. The first boy or swimmer who is caught is the next
alligator. To make him "it" the alligator has to pat him on the head
three times, above or under water.
TRADE GAME
O.C. CAROL
A FEW players step aside and decide on some trade to be represented. They
advance to the others saying, "Here we come!" The others respond,
"Where from?" They reply, "New York." "What's your trade?" is the next
question. The few show in pantomime some trade, all taking either the
same action, or various actions used in the occupation chosen. The first
one to guess the trade chases the player, trying to tag those desired
for the next trade game. These and the guesser start the game again.
FROG IN THE MIDDLE
O.C. CAROL
ANY number may play this. One player is chosen for frog and sits in the
center with his feet crossed. The other players stand in a circle around
the frog repeating, "Frog in the middle, can't catch me!" They dance
forward toward the frog and back, taking risks in going close. The frog
must keep his position while trying to tag his tantalizer. The one
tagged is the next frog.
MAN IN THE MOON
IVANHOE HOPE SCHUEMACHER
THIS game can be played with as many children as desired. First the
children join hands and form a large ring. Two sit in the center of the
ring—one a girl, the other a boy. The children close their eyes and
sing:
"Man in the moon,
With his fairy queen ;
Oh! he is as happy
As can be!"
While singing this song the King pulls the Queen's ears. The
Queen then runs away. On opening their eyes the children discover the
Queen has gone. Then they all begin to weep and cry, "O! hoo! Our Queen,
our Queen! Some one has stolen her away!" Then the King says, "I must
choose among you fair maids one to be my Queen." The maids reply, "Not
I, not I." All of a sudden they hear their Queen crying, "I'm not your
Queen." The children run and greet her saying, "Welcome, Queen,
welcome!" Then the Queen says a second time, "I'm not your Queen."
The King points at the Queen and says, "If you are not Queen, I'm not King,
so let us choose today." Then the King turns around and lo! the children
have run away and hidden. The Queen and King must look for them. The
first boy caught is next King and the first girl caught is next Queen,
and the game is played as at first.
THE WILD ANIMAL GAME
SARAH BEAGAR
THE first thing to do is to send all the children out of the room. Then
place a mirror in a chair and cover it over with a cloth, and
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name a number of animals over to each child and ask him which one he
would like to see. He names one; then go and get the mirror and tell him
to look in the mirror and he will see the animal asked for. Of course,
he sees himself. This is a great success with small children.
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Little People of the Month
THERE are many young pianists among us—of
course — but Louise Ruth Morgan has carried on her studies until now
she is a student at the New England Conservatory of Music in Boston, Mass.
Ruth formerly lived in New York City, where she was graduated from P. S.
68.
She says : "At present I am in an intermediate grade. Formerly, I was a
student of the colored Martin-Smith Music School. My subjects this session
are pianoforte, harmony and solfeggio, which is singing and ear training
combined. I give lessons on the pianoforte when I am in the city during the
months of July and August."
I think we'll all agree that Ruth is a very ambitious girl—and worthy
of much success!
John Lucas is also a pianist—"the child prodigy" is his title. He lives
in Pittsburgh, Pa. During February and March he will appear in six recitals
in Pittsburgh, Ohio and Michigan.
His manager, Gertrude M. Belt, writes: "The little fellow has never had a
single lesson and knows not one note from another. His great feature test of
this fact, is that he will play blindfolded before an audience. He can play
any selection after once hearing it. He has been playing since three years
of age. He is now six. His selections include southern melodies; popular
music, and hymns (in variations). I am enclosing a program from his recent
recital. The audience numbered 800. John is but three feet in height—a
real boy, mischievous and full of fun. He delights in his work, and has that
unconscious air which only a child can possess. He is not precocious ; and
his talent seems to be a gift. Tracing back, I find that none of his
ancestors possessed any ability for music."
Soon, however, John will enter school and study music ; then he'll make us
lazy folks feel so ashamed.
Virginia Smith, of Richmond, Ind., is thirteen years old and an 8A pupil of
Garfield School—but furthermore she is the winner of two prizes in the
Earlham Essay Contest, and there were 246 essays submitted. The subject was:
"Why I am for Earlham." Virginia won the first prize, given to the grade
schools of Richmond, and the second county prize.
In his letter to her, Mr. Edwards, President of Earlham, said, "I should like
to encourage you to push on in your school work, having a high degree of
excellence as your standard. You may, not always win a material prize, but
you can always do your best ; and he who does his best wins a prize more
valuable than money."
Virginia expects to enter High School in September. Her special study is
French, in which she has made an enviable record. She is also a talented
musician. Her favorite game is basketball. Virginia is an orphan ; she lives
with her aunt, Miss Anna Brown.
When a little girl, Gwendolyn Herbert went to Atlantic City to live. She
studied at the public school. Illness in her family, however, and the death
finally of her mother, played an adverse part for Gwendolyn ; yet when she
reached the eighth grade, she was recognized as a superior student. She was
graduated from the New Jersey Avenue School at the head of her class and won
the gold medal offered by the Negro Alumni Associates of the Atlantic City
High School for superiority in English—with no subject lower than 75
per cent.
Gwendolyn is now a High School student, and recently she was asked to accept
membership in the T. N. T., a science club. Membership in this organization
depends upon a high standard of efficiency in the Science Department.
She is shown wearing the Negro Alumni Associates' medal.
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[illustration - Louise Ruth Morgan
Gwendolyn Herbert
]
[illustration - John Lucas
Virginia Smith]